Castelluccio

Castelluccio di Norcia. Tavolozza colorata sempre cangiante. Visitate Castelluccio e aiutate la splendida gente del posto a risollevarsi

Castelluccio di Norcia. A color palette always changing. Visit Castelluccio and help the wonderful locals get back on their feet

Annunci

Correspondances

La Nature est un temple où de vivants piliers
Laissent parfois sortir de confuses paroles;
L’homme y passe à travers des forêts de symboles
Qui l’observent avec des regards familiars.

Comme de long échos qui de loin se confondent
Dans une ténébreuse et profonde unité,
Vaste comme la nuit et comme la clarté,
Les pafums, les couleurs et les sons se répondent.

Il est des parfums frais comme des chairs d’enfants,
Doux comme del hautbois, verts comme les prairies,
– Et d’autres, corrompus, riches et triomphants,

Ayant l’expansion des choses infinies,
Comme l’ambre, le musc, le benjoin et l’encens,
Qui chantent les transports de l’esprit et des sens

Rosa fresca aulentissima

Rosa fresca aulentissima,
C’appari in ver la state,
Le donne ti disiano,
Pulzelle e maritate:
Traemi d’este focora,
Se t’este a bolontate;
Perchè non aio abentu notte e dia
Pensando pur di voi, Madonna mia

Human’s Music

New Saturday, new movie to watch. For all. HUMAN’s Musics – A film by Yann Arthus-Bertrand / Composed by Armand Amar. I quote:

“I am deeply taken with traditional music, it moves me, it connects you to emotion. The idea with HUMAN was to create songs that would reflect the same emotion generated by the interviews. I wanted things to open up, to open up one’s heart, to let the sadness be without any restraint. HUMAN has been one of these rare moments in my life as a film composer during which I could express all these different cultures at the same time : either working on minimalist songs or meeting with these singers and musicians coming from all around the world. Which note did I first produce ? I had more like a global vision in mind, an atmosphere that would merge into the film and that would bring people together, this was my starting point. The part I created for the Mongolian sequence might be the best summary of the atmosphere I wanted the film to have. Yann has given me a particular role as a film composer that is very diffrent from the one other directors usually give me. There is a strong friendship between us, an intimate relationship. He’s generous. You follow him because of his fantastic instinct, I can advise on the artistic process being in a way the first audience.” Armand Amard, composer of the HUMAN music.

Momenti di gloria

Cercando tra le statue di Villa Celimontana a Roma ne ho trovata una che mi ricorda una persona nota

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